Cézanne

 The Cézanne started off with a ton of black lines drawn with a charcoal-colored pencil. I filled in some of the empty space with white cream paint in order to make the colors that would be added on top stand out more.

 Adding more color. This is going to be a trend that continues through the entire process journey, because this makeup was TEDIOUS and required a STEADY HAND.

 There are some more subtle colors added to the "male" side of the face, because I attempted to match the original color drawing to the best of my ability.

 Cool. Male side of the face is almost completely done, save the "shading" on the chin.

 And then I got no pictures of the "female" face process because that's redundant.

 And the "blending" parts of the face are done in green. Also no process pictures. There are only so many pictures you can take of every minute change in color.

 The female lover's face.

The male lover's face.